By Anne Champion
The Tent of Nations is an educational and ecological farm run by Christian Palestinian brothers in the mountains of Palestine. They run a peace project that invites people from around the world to interact. Despite the land being awarded to the family by the Supreme Court, they are not allowed to build and must live in caves. The caves are painted in bright colors by Palestinian children who paint over their own shadows. Their guest tents have demolition orders on them, as they are considered a form of building, and their trees are routinely destroyed by the Israeli Defense Forces. 10,000 trees were destroyed and buried a few days before I arrived.
THE TENT OF NATIONS
If they won’t let us build,
we’ll live in caves
and if our children are merely
shadows, our children
will paint over their shadows
in vibrant primary colors
on the stoic rocks underground.
If our children die, they’ll frolic
on these rocks, embossed
on the earth, bound only to freedom.
If they say the land isn’t ours,
we’ll keep going to court. If they cut
down 10,000 olive trees in a day
and bury them in a mass grave
like bodies, then we’ll mourn
like bodies. If trees take patience
and nurture, then peace takes
patience and nurture, and if we keep
holding out our hands?
If you block the road to us
with your tanks, the internationals
will climb the mountain to plant
and break bread, to trace
the children’s silhouettes, to gaze
over all of Palestine, to remember.
Military raids happen approximately once a week in Bi’lin. This village has been targeted because its use of creative, nonviolent resistance has endured and captured the attention of people from all over the world. American presidents, celebrities, and other world leaders have visited, and a documentary about the village, *Five Broken Cameras, *garnered critical acclaim and an Oscar nomination. Raids are a common tactic of occupation, as it produces anxiety and inhibits sleep, thus giving Palestinians difficulty in everything from routine chores and schoolwork to demonstration planning and participation.
Bil’in, West Bank
Once a week, the soldiers rouse us,
alarm clock of rifle butts on midnight doors.
We pull the children from their beds.
They point their guns at our heads,
but there’s nothing like the bullet
of panic as they aim
at the children’s hearts.
Iyad’s daughter’s first raid
was at one week old. Now she’s six
and she’s learned to raise her arms,
half dreaming still, marching
like an automaton towards the moon.
She always looks at the sky,
never meets a soldier in the eye
as they tear apart her room,
her beads scattering on the floor
like the bullets shot into the night
air. Someone falls down, someone’s
been hit. A rubber bullet lodged in a throat
on the side of the road. I watch
the smoke hover above his head
before he slumps over; in seconds,
his neck blooms and pushes aside his face.
The men prop him up, the women call
to the soldiers for an ambulance.
The teenage soldiers high five each other
before calling for help. And then
the tear gas canisters hiss
and the air strangles with its serpent snare.
Someone wraps a keffiyah
over my face and pulls me inside,
and I can’t see a thing. Even when my vision
returns, I can’t see anything anymore.