by Dylan Miner
During the mid-1990s, I remember frequently crossing the Canada-USA border – as was common for youth living in the borderlands – to go to clubs and restaurants and, more importantly, for punk and hardcore shows. I was an art school student (and then art school dropout) living in Detroit, located on the US-side of the Detroit River, just across the Medicine Line from Windsor, Ontario.
Sometime in 1996, following the release of Propagandhi’s second album, Less Talk, More Rock, I decided to cross the Ambassador bridge and see the Winnipeg-based punk band play a show somewhere in southern Ontario (maybe London or Guelph or Hamilton, I don’t recall). Traveling with an Arab-American friend, we were stopped and questioned for potential gang involvement. This border stoppage delayed us enough so that we barely made the show – that…
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