Remixing: Decolonial Strategies in Cultural Production


by SCZ

Hip Hop has always been more than the narrow space of the boom bap; it’s reach extends past the designs of coloniality; its power lies in its unpredictability. As scholar, cultural producer and emcee, Bocafloja argues, “At root, we must recognize Hip Hop as a consequence of connected historical processes that transcended the official transcript.” What then becomes the role of the deejay or producer in disorienting this “official transcript”; how, in fact, are we “flippin’ the script” and positioning our narratives at the front of these cultural productions?

As a deejay, i become that sonic archivist, a reclaimer of histories and transcommunicator of knowledge. Through the remix we are able to signify the past as a means of informing the present, and provide a frame for the future. The information being communicated through mixing is a complex web of signifying, coding, reclaiming histories, and remembering…

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